Giraffe and her daughter

On safari in the Serengeti, Tanzania This young giraffe will hang by her mother along with other females in a group. This is the identical pair that I photographed earlier. After this wild baby giraffe was finished ambling around the Serengeti she settled down under her mother for a moment. Already getting the zoomed out scenic shot under my belt ( http://wp.me/p1meFH-OA ) I had to photograph some detail shots now.

Photographic Details: My main focus was the baby giraffe, and given how good our minds are at putting things together I knew I didn’t have to have the whole mother and baby giraffe in the same shot. The point of the photo is to show the scale between the mother and the baby, in addition her position under her mother perfectly expresses how important of a shelter this mother is to her baby. The rest is up to the viewer, we’re good enough at guessing that the rest of the mother is beyond the frame to know she’s just not a headless four legged monster, keeping the focus squarely on the baby. I decided to crop this image square, it’s a nice shape and the extra background to the right I thought was unnecessary. With this image I used the exact same storytelling device I used with a baby elephant, clearly it’s a story that is seen in many animals all over africa http://wp.me/p1meFH-Ow

1/160s f/7.1 ISO100 400mm

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Baby Giraffe springs across the Serengeti

Serengeti, Tanzania, Africa Looking across the Serengeti we sat quietly looking at a group of a dozen giraffes, our guide indicated that these were females who usually group together for safety.

Suddenly a large giraffe bursts from the trees behind us and begins to make her way towards the herd. Another much smaller gangly figure awkwardly stumbles out into the open; for a moment my subconscious thought it made more sense to tell my brain that my tripod had sprung to life and jumped out of the back of the safari vehicle and ran across the Serengeti. Then I realized this energetic stick figure was a baby giraffe running around her mother and all over the grass like there was a party going on in her head that only she could hear. I’m used to seeing these large animals move like they are a slow motion movie, to see one of these things dart around, buck and jump so quickly was both startling and delightful.

Final Image, click to see larger:

Photographic Details: I wanted to capture a bit of motion with these animals moving faster than usual, I slowed my shutter speed down to 1/160th of a second in hopes of getting a little motion blur on their legs and tails without getting too much blur on the bodies. I actually have some much more artistic versions of these images that I will be sharing in the coming weeks but I liked the energy of this one as it really shows how much spunk the baby has, which made us all giggle in the safari vehicle as we watched this unfold in front of us.

This also happened so fast that I forgot to lower my aperture to let more light in, I ended up underexposing. However with the magic of shooting in RAW mode I have a little wiggle room, I was able to correct my mistake and get the detail back by changing the exposure after the fact in Lightroom, we all make mistakes but with the right settings we can compensate for them, See the original image to compare!

Canon EOS 7D: 1/160s f/9.0 ISO100 150mm (35mm eq:240mm)

Original Image before exposure adjustment

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A mother is a shelter

Serengeti, Tanzania, Africa After spending time at an elephant orphanage I’ve truly come to understand how important a mother and a family is for an elephants survival. This baby elephant who has not yet mastered the art of applying his own mud and dirt sunscreen is highly reliant on the shade of the mother in the harsh african sun. It never occurred that the mother provides so much protection just by standing there, just by existing. Of course this baby is also reliant on her wisdom, affection and milk. Should a young elephant become separated from it’s family, despite being taken in by people and being well fed, history has shown that pure grief over the loss can kill an elephant. Clearly this baby has her mother, she was so happy she could barely contain it as she ran around and swung her trunk all over the Serengeti.

Photographic Details: I wanted a photograph that visually expressed how large and important a mother can be to her calf. While the focus is on the baby elephant jovially swinging her trunk around, I wanted a background dominated by the body and textures of the mother towering over her, the same way a home would. Reminiscent of a classical portrait of a person with their home situated in the background if you will.

Canon EOS 7D 1/200s f/7.1 ISO400 400mm For #feelgoodfriday curated by +Rebecca Borg

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An elephantine case for HDR

Family of ElephantsSerengeti, Tanzania, Africa

As this family of elephants walked past us we were ever aware of the impending sunset. I took many photos of the elephants but what stood out were the ones with the leading elephant giving himself a dust bath as the sunset backlit the puff of serengeti ash. It’s these moments that I get very excited, the low golden light is paramount in photographing anything from wildlife and landscapes to portraits. This is where I knew I could get a stunning environmental portrait of this family, scenery and a sunset scene all in one. The major technical problem is the wide tonal range I was trying to capture: the bright highlights of the sun, clouds and landscape to the dark shadows of the elephants and foreground. This would be too much for my camera to take in all at once. I turned on the auto bracketing and multi burst shooting mode on my camera, holding down my shutter I rapidly fired off three exposures, one over exposed by two stops, one with normal exposure and he last under exposed. The three images combined provided me with an extra wide tonal range that captured everything I was looking at, this is what’s known as HDR, or High Dynamic Range. After firing off a few shots I thought, “I just +Trey Ratcliff ed it”.

Manual HDR version, click to enlarge:

Even before this I have already accepted HDR images as a legitimate photographic technique. A lot of people currently consider it “cheating” or “fake” the irony is that the images come out with a tonal range that more accurately reflects what a person would see in real life. To me, the fact that I use this technique is personal validation that HDR is here to stay and that this technique is just as good as any other a photographer keeps in their arsenal. This scene begged to be captured in a full range and this was the only way to do it with the available light. My first impression of HDR years ago appalled me, but no more than bad photography might appall me. These days there are plenty of great examples of masterfully processed HDR photos, and these photographers and the community in general is getting better every day. People tend to dislike images that are highly processed on a computer but then don’t complain about techniques that can be employed in camera. New cameras coming out will focus more on performance and image quality including doing HDR in camera, some with specialized sensors do it all the time. What will HDR dissenters think about that? When it becomes more about how the photo is taken it becomes a game, for me photography is about capturing truth and beauty, truly expressing the emotional power of being there, I couldn’t care less if the photography did headstands while doing it, it’s the photo that matters.

HDR Technique: I initially processed this in Photomatix, the de facto HDR processing software as far as I can tell. I like what it does but I don’t love the way it treats all the textures, coming out with too much contrast in unusual places, the software not being aware of the elephants natural smoothness it treats their skin like a texture that needs to be brought out, and it was too much. Other unusual artifacts produced by photomatix cause flaring on highlight edges and the images come out a little softer than I like, losing a bit of resolution. For this reason my final image was an HDR photo that I manually combined in photoshop. I layered each exposure on top of each other and kept each portion that was properly exposed for the final result. It ended up looking just the way I saw it without unusual artifacts and a more subdued contrast change. It will be interesting to see which image appeals most to people, so comment and let me know.

Photomatix HDR version:

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After a day in the Serengeti

Moru Kopjes, Tanzania, Africa The word “safari” literally means “long journey” in swahili and “to travel” in arabic. I could spend forever trying to describe the day to you with all sorts of other colourful words but I don’t think I could find anything as poignant as that.

After being out all day seeing many thousands of wildebeest, buffalo and zebra, obsessing over lions lounging on kopjes (unique granite outcroppings shown in the photo) we finally got to a point where we could slow down. The previous hours we were desperately trying to absorb and photograph every new little thing we saw, exclaiming “wildebeest! Oooh no baby wildebeest! ooh no baby wildebeest with an egret standing on it!... No I have a better one with egrets AND oxpeckers on it and it’s in better light!”. We were so tuned into looking for wildlife that every rock and stump in the distance had to be an elephant, rhino, or a baboon standing on a hyena on an elephant. Somehow the shame of the misidentification didn’t stop us from pointing these imaginary animals out.

The golden grass of the Serengeti rolled in the breeze personifying our collective deep breath of relaxation as this sight rolled into view. We took a photograph, then dropped our cameras in awe as we simply watched, taking it in without pointing out every little thing we saw and just being present.

Photographic Details: This was a very cut and dry easy decision to make for me. I don’t like having horizons in the middle unless I’m somehow forced to by my subject or some other circumstance. Instead I like to choose an emphasis and ask myself what’s more important or more beautiful, the sky or the foreground? Here the dramatic clouds above had so much texture with a touch of blue sky, but below the wildebeest there was nothing but bare grass. With this in mind I let the Serengeti foreground anchor the photo on the bottom third, and the sky above take up the two thirds, following the aesthetic rule of thirds and making it easier for the viewer to understand what they should be looking at. The rocky outcroppings of the Moru Kopjes were then kept on the left so the eye could follow the formations into the image. All of this is designed to keep the viewers eyes inside the photo, so they don’t stray off and lose interest.

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Want to take great photos in the greatest places? Check out my next photo safari!

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Wave of vultures

On Safari in Tanzania, Africa Serengeti Spending the previous weeks watching vultures circling lazily on the thermals above us, I would casually photograph their figures against the sky knowing some day I will see these creatures up close and personal. Sure enough, as we drove across the Serengeti we spotted a writhing ball of feathers and dust, the vultures were on a carcass. Upon arrival we were greeted with the sight of 20 or so vultures and Marabou Storks frenetically feeding on what was left of a zebra, it was not a civil affair. The air was full of the sounds of squabbling. Nearby vultures were standing still on the ground with their wings out, a behavior that is good for either drying off the wings or thermoregulation in the hot african sun.

Photographic Details: I’m always looking for something unique and stunning, and when I saw the repetition of shape with these vultures lined up I could not keep my camera off this sudden order that developed spontaneously in the chaos. This order and simplicity is extremely attractive to me. I would wait for the birds to line up and turn their heads to face the right direction and squeezed the trigger at the right moment. In addition to the shapes in this image I was enthralled with the texture and detail in the wings, choosing to focus on the wings of the closer bird in order to also keep the focus of the bird and it’s eye. 1/400s f/7.1 ISO100 400mm (35mm eq:640mm)

#birdpoker #birding #africa #tanzania #serengeti #wildlife

Lion Stalks the Wildebeest

On safari in Tanzania, Africa Anyone who has ever owned or spent time with a cat would feel right at home in the Serengeti of Tanzania while watching the behaviour of this male lion slinking up to it's prey. After hanging around with his brothers he decided to head off towards the herd of wildebeest that had wandered into their midst. Us watching in our vehicle with baited breath, our camera trigger fingers were itching with anticipation as this male expertly crept towards the wildebeest and vultures, keeping his body low to the ground with every deliberate and careful motion. At last the moment we thought had arrived: the big cat revealed his presence to the wildebeest as they scattered away from him, the vultures filling the sky with in an explosion of feathers.

This powerful and successful hunter bolted towards the wildebeest, took one look at them, and proceeded to lap up water in the nearby watering hole hidden by the tall grass. All this work, and all this teasing was just practice and fun on the lions behalf. We looked at each other and laughed as the now quenched lion returned to his resting spot among his brothers.

Photographic Details: Sitting as low to the ground as I could get I was able to make the lion in the foreground visually closer to the wildebeest in the background. More interested in showing what the lion was looking at I decided to focus on the wildebeest to put the viewer more in the lions perspective. I also set the white balance to "cloudy" mode, to add an extra warmth to the image to help convey the extreme heat of this environment. Canon EOS 7D 1/200s f/8.0 ISO100 400mm (35mm eq:640mm)

Serengeti by balloon

Tanzania, Africa On our last morning in Africa we had the privilege of taking a hot air balloon ride above the Serengeti. We head out before the sun rises because the earlier in the morning we go the less turbulent and unpredictable the winds are. Climbing high above the Serengeti we bobbed up and down, while the wildlife below stirred during it’s most active time. The sun began to rise as a gradient of light washed over the land from the east stretching to the west. Seeing the wildlife from this new angle was so different and intriguing. Game paths stretching out like spiderwebs of dirt amidst the parched grasses of the Serengeti. Zebra and wildebeest look like ants as they gallop across the land, their movement reminiscent of a flock of birds: never straying too far and only coming so close if needed.

Photographic Details: With the low morning light I needed a high Iso of 800 to get a fast enough shutter speed to freeze the motion. Not only was the balloon moving, it was wiggling with the movements of the passengers and gusts of the wind. Despite the directionless floating on the balloon we seemed to be moving at a pretty fast clip, making it difficult to decide what to shoot with the rapidly changing scenery. I would look for a point of interest, then zoom in with my telephoto, in hopes of capturing some interesting shapes.

Canon EOS 7D 1/250s f/4.5 ISO800 100mm

If you like this, do me a favour and please share!

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A Critique: Silhouette of a family, BW or colour?

Serengeti, Tanzania, Africa. For todays post I want to do both my regular photo story but I also want a critique. The main question I want to know is do you like the colour or black and white version better? And why?

This was taken in the last few hours of this years photo safari. We were all ecstatic that just a few hundred meters from the airport we were still being greeted by scenic views and tonnes of wildlife, talk about a great send off for our final day!

Photographic Details: This troupe was making their way across the Serengeti and the backlighting isn’t ideal for photography. I began to think “well okay backlighting is tough for detail, so let’s focus on getting a silhouette”.

I like how easy it is to tell by their body language that this herd wasn’t just grazing, they were heading somewhere and on a mission. By working with the silhouette in mind I’ve taken advantage of the pros of this type of lighting instead of fighting against the cons. Canon EOS 7D, 100-400m L lens at 190mm, 1/320 shutter speed f7.1

So let me know, BW or colour?

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More details on my photo safaris here: http://www.kylefoto.com/photographic-african-safaris/

Update:

I have to share some fantastic comments here that critique these photos better than I ever could!

Out of 31 we have 20 for colour and 9 for bw.

Your comments go beyond just this simple question though, all this talk about the context of the images, how or where someone is displaying these photos change the photos, and how the intention of the photo changes which image is more powerful.

+Kerry L +Brad Ganley and +Louisa Catharine Forsyth mention how the power and impact of the animals is much more pronounced in the BW version, that there is more emotion associated with it. +Jorge henrique Cordeiro hits the nail on the head with the black and white version being art but the colour version being more truthful to what africa actually looks like.

+Shawn Clover highlights that the blue and orange in the colour photographs are complimentary, likely a reason for the favour in the colour image.

More importantly this stellar interaction speaks to the intelligence and engagement of this community, you guys are incredible!

Zebras in the dust

Zebras in the dustOn Safari in Tanzania, Serengeti, for wildlife wednesday

During the great migration countless zebra and wildebeest move through the Serengeti, following the rains that move cyclicly through Kenya and Tanzania. The amazing thing about this is moments before these zebra were nowhere to be seen, and upon arriving back to the river side we were inundated with this herd that went on as far as the dust allowed us to see.

These zebra were frantically running to the river to quench their thirst, always aware of the Crocodiles lurking, there was one in the river, but it was full. Nevertheless a zebra would get spooked and the entire group would abandon the river at once, kicking up dust and lining themselves up like this. It's something we spent the whole day doing, it was fantastic.

This was taken on my Kenya & Tanzania Photographic Safari last February, if you or anyone you know likes to travel and take photos this is the best way to see the wonder that Africa has to offer while getting the greatest photos possible. I love sharing my techniques, and it was a pleasure travelling with such talented photographers. I have two more trips in February and September 2012, to find out more check out my workshops here: http://www.kylefoto.com/category/workshops/

If you like this, please share!

#wildlifewednesday