The Northern Gannet portrait

Ile Bonaventure, Gaspé Peninsula, Quebec, Canada I'm very used to seeing exotic and beautiful bird colonies out in some of the farthest reaches of our world. But this afternoon I spent time in my own country, the gaspé peninsula in a small and picturesque quebec town of Percé, Canada. After enjoying some fine french cuisine of arctic char for lunch I couldn't believe my eyes that after a short ride over to the island I was surrounded by thousands of beautiful white patterned Northern Gannets.  The first thing I noticed as I wandered through the forest is the pungent ammonia and fish like smell of a typical bird colony "they smell just like penguins" I thought. Then the cacophony of calls from the gannets filled the air as the landscape of the colony broke through the trees, the brown colony floor perfectly spaced and dotted with gannets, like they were dollops of icing placed down by some divine gingerbread house maker. It was remarkable to see how each gannet was just one "beak peck" away, as if they hate each other but have to be close enough because of safety in numbers.

I wandered around the colony where there was a wooden observation platform looking down on the gannets. I leaned over the railing and to my surprise just a couple meters below me there was a gannet staring up at me with curiosity. He didn't fidget, or look at me with concern, just sat there as the rain and fog beaded up on his head. I never had such a fantastic viewing angle from a such a beautiful bird like this before.

Photographic Details Because I was using a 400mm Telephoto lens, I had no choice but to actually lift my camera up as high as I could, farther away from the Gannet. These lenses have a   minimum focusing distance and I was actually too close to photograph this bird. I had to hold my camera away from me the way one might hold a baby away from them after they just filled their diaper: you would never drop what's in your hands but you want it as far away from you as possible. I put my camera into the very rarely used live view mode so I could see where the camera was focusing, and shot multiple photos like this. I had to use a high shutter speed of 1/1000th of a second as these birds were constantly looking around shaking their heads and my own hands weren't the most stable platform to be shooting from. I was very happy with the results and to get a shot like this without disturbing this beautiful bird was fantastic. I can't wait to see more places like this in my own "backyard" of Canada. The artistic quality of creating a vertical line from the bottom left to the upper right is what I was going for, I also wanted to express the subtle but beautiful yellow hues this bird has in it's pristine pelage. Focusing on the eye is the standard for a photo like this but the emphasis is in the strong diagonals this bird presents.

Camera Settings Canon EOS 7D ISO400 f5.6 1/1000 sec Canon 100-400mm lens

#birdpoker #birding #gannet #canada #wildlife #birds #quebec #FineArtPls curated by +Marina Chen , and #yisforyellow  curated by +Lucille Galleli and +YisforYellow

Also I'm back! I know you have seen many posts relayed to google plus by my wonderful helper +Kathryn Bechthold while I was away, hence the third person, but rest assured I'm back now and will be glad to answer your questions!

Via Camel

Wadi Rum Desert, Jordan The warm unmoving desert air was stifling, a day riding these four legged beasts felt like riding an oven with square wheels. Never the less I enjoyed it! Spending the day wandering across the desert free of the sound of any vehicles, journeying our way to a place where there is shade and water before the heat of the high noon sun arrives. It was actually slightly overcast, the thin clouds above acting like a giant blanket keeping all the heat of the day in, instead of letting it escape into space.

Photographic Details: These camels had a lot of attitude but of course by now we were used to each other. This guy was laying down and in the clean soft sand it was easy enough and really comfortable to lay down as well. I wanted to get a unique perspective, this is a classic example of a photographer either getting as low or high as possible but not at eye level. Because of his incessant chewing of cud his jaw looked unusually blurred, I had to use a shutter speed of 1/250th of a second to freeze that motion.

Camera Settings 1/250s f/5.0 ISO200 70mm

Wave of vultures

On Safari in Tanzania, Africa Serengeti Spending the previous weeks watching vultures circling lazily on the thermals above us, I would casually photograph their figures against the sky knowing some day I will see these creatures up close and personal. Sure enough, as we drove across the Serengeti we spotted a writhing ball of feathers and dust, the vultures were on a carcass. Upon arrival we were greeted with the sight of 20 or so vultures and Marabou Storks frenetically feeding on what was left of a zebra, it was not a civil affair. The air was full of the sounds of squabbling. Nearby vultures were standing still on the ground with their wings out, a behavior that is good for either drying off the wings or thermoregulation in the hot african sun.

Photographic Details: I’m always looking for something unique and stunning, and when I saw the repetition of shape with these vultures lined up I could not keep my camera off this sudden order that developed spontaneously in the chaos. This order and simplicity is extremely attractive to me. I would wait for the birds to line up and turn their heads to face the right direction and squeezed the trigger at the right moment. In addition to the shapes in this image I was enthralled with the texture and detail in the wings, choosing to focus on the wings of the closer bird in order to also keep the focus of the bird and it’s eye. 1/400s f/7.1 ISO100 400mm (35mm eq:640mm)

#birdpoker #birding #africa #tanzania #serengeti #wildlife

Gazelle Portrait, Laying low

Masai Mara, Kenya, Africa It was an extremely hot day in the Masai Mara of Kenya in early march. This being the dry season the temperature was reaching 35 degrees Celsius, and it was getting close to lunch. We pulled our packed lunches out under the only tree nearby. Standing alone in the plains its sparse shade was still a welcome retreat. Around noon most wildlife seeks the shade and I was surprised we didn’t find anything resting under this tree.

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We reminisced about how the behaviour of the herd of Zebras earlier that day tipped us off that there was a lion kill nearby, and the incredible sunrise we were witness to. That’s when a Thompson’s gazelle appeared walking purposefully towards us. Oooh we stole his shade! It wasn’t long before he realized his spot was occupied and he just stood a good distance away, stomping every so often to ward off flies. The whole time we were there he just stared at us in hopes that we would disappear and he could get the only shade in sight.

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Photographic details: This was the perfect opportunity to get a good portrait. There was nothing distracting in the background and this gazelle was practically posing. Usually it’s not safe to be outside the vehicle so I also had a rare chance to shoot this guy from a low angle. I laid flat on my belly with the camera touching the ground and my 400mm lens trained on him. I chose to compose him in the centre of the image because of the symmetry of his figure. This angle allowed me to shoot up at him and causes the ground to become mostly blurred. This creates a simpler image that focuses entirely on the animal itself.

Camera settings: Canon EOS 7D, 100-400mm L IS lens, ISO 100, 400mm, f5.6 1/400sec.

This is also available for print on my smugmug at: http://kylefoto.smugmug.com/Animals/Africa/19644918_hpCKDK#1543609000_tXNpXgN

For more on my photographic safaris see here! http://www.kylefoto.com/photographic-african-safaris/

The Monochrome Jackal

On Safari in Africa The jackal is a spritely figure in the Masai Mara of Kenya. Trotting along the game trail this guy was fortunate enough to come across some scraps. Paying little attention to us he kept working away at his prize of the day. Jackals are primarily active at dawn and dusk, a lot like most of the animals we like to see in Africa. Not only is the light fantastic when the sun is close to the horizon, we get the double effect of all the wildlife activity. This is why on safari one often has their down time during mid day. I don’t think one would ever have to be afraid of a jackal in any circumstance as they tend to feed on anything much smaller than them including small reptiles, birds and mammals.

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Photographic details: I wanted an interesting shot with a lot of the usual things a photographer is interested in, waiting for him to open his eyes, making sure his face wasn’t in shadow. This little expression he gave was somewhat sinister, even though it’s a brief moment taken while he was putting a lot of effort of gnawing the flesh off the bone.

For this portrait I wanted to reach back into my darkroom days and process this like a black and white negative. Spending hours dodging and burning in the lab I always felt such a connection with my photos. Dodging and burning is the process of selectively darkening and brightening certain areas of the image, it’s a practice that has been used in necessity since the dawn of film. Taking a photo is one thing, but preparing a print is another. By brightening my subject I bring more focus to him, and allow him to pop out of the uniform background instead of blending in.

This was taken on my photographic Safari this year, I have two more next year find out more at: http://www.kylefoto.com/category/workshops/

Kenya & Tanzania Photography Safari Sept 2012

Kyle Marquardt in collaboration with Civilized Adventures would like to invite you to join

“Kenya & Tanzania Photography Safari”

Sept. 7 - 23, 2012

My photographic safaris are filling up, thus we have an additional safari on for 2012!

Wake up early with the golden african sunrise to capture wildlife at it's best at the Masai Mara game reserve during the great wildebeest and zebra migrations. Journey down to the world famous Ngorongoro crater, a refuge for 30,000+ animals amidst a stunning backdrop, all while receiving personal photographic tutorials on how to get the best out of all of this from me!

Book at Civilized Adventures Download full itinerary Check out my Africa gallery

The Better Picture: Secretary bird

The better Picture: Photographers take terrible photos too, they are not meant to be seen but are integral in getting a better picture. You have been out on Safari all day, taking hundreds of photos.  Earlier in the morning you happened to have gotten a photo of a secretary bird and now you have been presented with your umpteenth viewing of this very bird; this is an important moment. Now you could put your camera down or instead you could set up your camera in preparation for the decisive moment that might become your ultimate secretary bird photo and perhaps even your best photo of the entire safari.

You may have thought “I already have a plethora of secretary bird photos, do I really need to try again”? Perhaps you are at the point of believing that your previous secretary bird shots are fantastic but this is where you have to step back just a little and try and get past the cognitive bias that all your own photographs are inherently great. Take the Dunning Kruger effect, which theorizes our innate belief in the accuracy of our perspective.  Here is how it works in terms of photography, the first time we take a photo we believe it to be perfect however if we were to give it another try and perhaps even take a moment to place it under scrutiny; this here could transform our photo from a regular vacation shot to a work of art.  Therefore I would like you to always ask yourself this “how could I improve this shot?”

The thought process I described above is classic example and is exactly what happened with the secretary birds. Some people were excited by my first shot of the birds and by all means, technically speaking you could say that I executed the image correctly; I gave the bird room to look into the frame, used a wide open aperture with only the bird in focus and no background distractions were in site.   Due to the wide open aperture my background was softened and there was no accidental motion blur.  Yay!.... Oh Wait, then why is it so blah? The bird is just standing there, nothing else  is going on in the scene, that’s why!

Many photos later I was presented with the same view of a secretary bird, strolling through the grass, looking for her prey and in a split moment she decided to take off. With my camera already trained on her, I was able to track her movement and get the right action shot.

Now we’re talking, the subject is still given room to look into the frame, but now we have action and a dramatic sense of motion, not to mention the gazelles in the background to further express that this is Africa.  Now the photo functions as a more environmental portrait expressing that these animals share the same space. This is a much better photo.

I take a lot of terrible photos initially because I’m not sure if anything better will come along. I take terrible photos like these all the time, but the reason you don’t see them is because I only show my best work. I still want you to take the bad photos but I want you to realize it’s bad right when you shoot it, and expect to take a better one later when presented with the same opportunity. Hopefully the second time around, something magical happens and you are prepared to take the shot because you have a better understanding of what you’re looking for.

These photos were taken in the Masai Mara in Kenya while hosting a photographic Safari, if you like this check out the Africa gallery!